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Home: Semiotix 6

Editorial

Guest Column

Semiotic Profile

World Report 1

World Report 2

State of the Art 1

State of the Art 2

Treasure Chest


Guest Column
by Hervert Allen

Why Semiotics?
Questions About A Suggested Pattern of Semiotics Study
Among Undergraduate Students in Europe and South America
versus Undergraduate Students in the United States

by Herbert Allen
Director of Advertising Studies
Columbia College Chicago
hallen@colum.edu

This article, which is actually a request for directional feedback, stems from what I perceived as simple questions which I emailed to members of the Semiotics Committee at the University of Toronto. Here is that request in its entirety:

In advising foreign undergraduate students who are transferring into Columbia College Chicago, I have noticed that students from Europe and South America tend to have had at least one course in semiotics.   By comparison, undergraduate American students who are transferring into Columbia College from American colleges and universities tend not to have had any semiotics courses.  To your knowledge, have any studies been done on this phenomenon?  Why do European and South American institutions of higher education include semiotics in their curricula? Also, are any of you aware of foreign accrediting bodies that can shed some light on this topic?   Thanks in advance for your feedback.

Within a day or so, I received interesting replies from Robert Bednarik, President of the International Federation of Rock Art Organisations, and Drid Williams, currently an Adjunct Professor at the University of Minnesota. Dr. Bednarik replied “Your question raises the entire issue of the substantial differences between different schools of thought, in terms of their academic orientations.” He added, “This is a very complex issue, to do with historical, philosophical and hermeneutic aspects…different epistemologies and their historical roots.” For her part, Dr. Williams observed “…Semiotics has traditionally been associated with linguistics courses. I think very few (comparatively speaking) undergraduate students in this country [America] take any kind of linguistics courses.” After commenting on the importance of semiotics to her work in human movement, with its focus on “dance, ritual, sign language, etc.”, Dr. Williams added “I think that univer-sities in the United States reflect a general lack of interest in languages, compared to Europe and South America, where the subject might seem to have more practical appli-cations. Many Americans are monolingual and see little need for training in other languages—would you not agree?”

Since the replies of Drs. Bednarik and Williams pose still more questions, I have, of course, replied to them and am now awaiting any further explanations they might offer. From Dr. Bednarik, I would like explication on the "...different schools of thought" to which he refers. Too, what are some of the complexities that attend this issue in those "historical, philosophical and hermeneutic aspects" he mentions? And, in the case of Dr. Williams, her speculation of a monolingual America notwithstanding, I am left to wonder how educators and pedagogical theorists here could be myopic to the importance of curricular focus on semiotics? The interrogation of various significations of meaning is so fundamental to intellectual growth, and life itself, that the need for semiotics study seems quite obvious, quite undeniable, even in a monolingual culture. Too, that need is increasingly underscored by the profusion of symbolic content in both traditional and so called “new” media within the overarching framework of our highly visual culture.

To the extent that American institutions of higher learning are myopic here, surely there are other or additional causal factors. Could it be that educators and other pedagogical theorists in America feel (whether rightly or wrongly) that meaning interrogation is simply inherent to each discipline and therefore obviates the need for an individually distinct or discreet focus on semiotics, which Dr. Arthur Asa Berger at San Francisco State University refers to as a “master science” that touches upon all disciplines? And if that is the case, why, by comparison, do educators and curricular strategists in Europe and South America seem to feel—and seem to have traditionally felt—that semiotics should be included in undergraduate education? Have European and South American educators always known something more about the importance of analogy and metaphor in intellectual development? Have they always known something more about the hermeneutic tradition overall?

Indeed, in my reply to Dr. Williams, I went out on a limb and posed this stray thought:
It is said the Greeks use mythology as a means of revisiting and consulting with the past to discern meaning and inform decision-making in the present, hence, the notion that culture is dialogic (across time and otherwise). To the extent this is true, does this sug-gest a more active diachronic and intertextual perspective among people in older cultures? Are such people historically more disposed to interrogate meaning? Is this a defining difference in the education (and the curricular strategies) of Europeans and South Americans versus Americans?

It should be noted that, as a media artist and instructor in advertising studies, I come at semiotics from a practical or “applied” perspective. My process of constructing and generating meaning is very specific, very strategic. In creating the advertising message—be it print or broadcast (visual or aural)—there is a sort of “mise en scene” imperative which dictates that “each frame of an advertisement must inform,” must convey information that I want the consumer or audience to know. Given this imperative, I felt compelled to develop a very basic course in applied semiotics, four or five years ago, when I noticed that our students were creating campaigns without critical awareness of the symbolic meaning in the content of their campaigns. Many of them seemed indifferent to the deep meaning structures (i.e. ideology, metaphors, codes, interpellation, intertexuality, syntagms, paradigms, etc.) of advertising messages in particular and popular culture in general.

The surprising development about this course is that, though it was originally conceived and developed for students in the advertising studies program, the students in other disci-plines taught throughout the college heard about it and insisted the course should also accommodate their disciplines and interests. I revised the course to accommodate their demands and the course is now taken by students who major in an array of other disci-plines (i.e. theater, music, television, film, sound design, cultural studies, management, fashion, etc.) as well as advertising. As they discover the relevance of semiotic thinking to their respective disciplines and their own processes of semiosis within their disciplines, as well as the interrelatedness of signs to operative belief, their interrogations in class make for lively—and often heated—discussion. And, though some students are late in completing the considerable number of required writing assignments, the course realizes nearly one hundred percent compliance in assignment completion and student retention. When asked about the relevance of the course, the students say it helps in structuring their ideational process, helps them think across the curriculum and, most telling, they say they should have had such a course at the beginning of their college studies.

As it happens, I have proposed the establishment of a semiotics institute here at Columbia College Chicago to give more systemic focus to the study of media semiotics, at least in our School of Media Arts. If and when such an institute is founded, hopefully it would enjoy affiliate relations with similar established and emerging initiatives here in America and abroad. Because of this proposal, and because of the course described above, semiotics in higher education will be among the topics explored at the annual Carnegie Academy for the Scholarship of Teaching & Learning (CASTL) sponsored by the Carnegie Foundation for the Advancement of Teaching & Learning.

Doubtless, our deliberations at this year’s CASTL Institute will address, to some greater or lesser degree, the questions I have posed and the above observations of Drs. Bednarik and Williams. But, as Dr. Bednarik’s references to “different schools of thought,” the “ historical, philosophical and hermeneutic aspects,” and “different epistemologies and their historical roots” seem to suggest, perhaps this is a topic deserving response from an even wider audience. To repeat the questions somewhat differently, “Are undergraduates in Europe and South America more likely to have had a course in semiotics than undergraduates in America? And, if so, why?”


Herbert Allen
Director of Advertising Studies
Columbia College Chicago

Herbert Allen is the director of advertising studies at Columbia College Chicago, a post he has held since 1995. Attuned to the interdisciplinary nature of advertising, Allen has served as an advertising agency account executive, creative director, media director, new business development strategist and adviser to agency presidents. Having begun his advertising agency career at the Leo Burnett Company in the 1960s, he also served at several other agencies, among them Foote Cone & Belding, Vince Cullers Advertising and Burrell Advertising. Mr. Allen authored numerous articles that have appeared in Advertising Age, the “bible” publication of America’s advertising industry. Further reflecting his interdisciplinary range, Mr. Allen is also an Emmy nominated television producer-writer who served in staff and freelance capacities at the NBC and ABC television stations in Chicago, and with Central City Productions, formerly a subsidiary of Tribune Broadcasting. Beyond his work in advertising and mass communication, Herbert Allen is a playwright with a distinctly multicultural perspective. Some of Allen’s works include the following: an adaptation of Dag Hammarskjold’s Markings to readers theater; a two act drama, titled Ophelia Moore & Testimonies Attendant To A Murder She Committed, based on Zora Neale Hurston’s journalism coverage of an interracial crime of passion; a musical drama, titled Bijou, which was inspired by the writings of Brassai and Giradoux; and The Lady & The Sparrow, a musical remembrance which compares parallels in the lives and artistry of Billie Holiday and Edith Piaf. Herbert Allen is a doctoral candidate in the interdisciplinary arts and sciences program at The Union Institute.



The Lady & The Sparrow
Visual Caption:

Reflecting his “strategic and targeted” use of semiotics, Herbert Allen developed the concept for this simple handbill design which promoted his The Lady & The Sparrow, a musical tribute to Billie Holiday and Edith Piaf. Allen originally used his own thumbnail sketches of the two singers juxtaposed at a microphone, but later commissioned the illustrator and art director Joseph Randall to execute the sketch shown here.

Says Allen, “though there is a tendency for historians and music lovers to draw parallels between La Mome Piaf and Judy Garland, there are far more parallels in the lives and artistry of Billie Holiday and Piaf. This visual, which frames them as co-signifiers and co-signifieds in apposition, references their cross-cultural intertextuality and appeal.”


On the Stigma of Mental Illness: Practical strategies for research and social change

Herbert Allen co-authored a chapter in the book

On the Stigma of Mental Illness represents a summary of the CCSR's research during the past five years. Most chapters represent collaborations among clinical and basic behavior research. An important additional partner in these works is people with mental illness. Person first participation is essential if our work is to address the social injustice that is mental illness stigma. The book was divided into thirds. The first provides an overview of the problem; problem here has multiple meanings and includes discussion of public stigma (what the naïve public does to people when the public endorses stigma) and self stigma (the harm that occurs when people with mental illness internalize the stigma). The second section examines different perspectives on stigma. Consistent with our multidisciplinary approach, disciplines used in this section include social psychology, sociology, and qualitative methods. The third section provides a summary of stigma change strategies. These change strategies vary depending on whether public or self stigma is the target of change. The book ends by reminding the reader that stigma is not just a health problem. It also is a matter of social injustice. Resolving stigma does not reside in erasing their symptoms. Stigma is complex and multi-caused. Only by mastering this complexity have we begun methods to beat the stigma. Order On the Stigma of Mental Illness Today!